Newman Center Presents! Okaidja Afroso

- Arvida Rascón

Okaidja’s distinct musical sound hails from the shores of Ghana, combining ancestral traditions and contemporary African music. His Jaku Mumor project dives into his cultural roots by collaborating with Gadangme fishermen to share the full artistry of their a cappella singing and chants that awaken the spirit of the human soul.


His artistry is grounded in traditional dance & rhythms with modern harmonies & updated lyrics. The performance includes footage captured in Ghana with the fishermen. Segments of the film, including singing and interviews, are incorporated into the live performance. One of the main themes of the program is the exploration of indigenous views on the element of Water, the sanctity of Fish, and the role of music, dance, and storytelling in Gadangme culture. Okaidja will use this opportunity to foster conversations about the challenges facing indigenous communities across the globe, such as the impact of rising seawater levels around fishing communities, as well as the effects economic development has on cultural preservation. Through this project, Okaidja hopes to learn and share indigenous resiliency practices or methods both for the sake of the American indigenous community and for him to bring back to Ghana and share with the Gadangme fishermen.

In 25 years of touring and performing Okaidja appeared in diverse venues from small fishing villages in the Canadian Arctic to the Kennedy Center in New York City, and he has spent countless hours in classrooms across the U.S. teaching children about Ghanaian culture and arts through educational outreach programs.

His distinctive performing style extends ancestral traditions and creates a contemporary African oral tradition combining percussion, guitar, dance and native language vocals. His songs convey a whole spectrum of experiences – joy, harmony, tragedy and hope – that embrace the rich complexity of the integrated world we inhabit.

“I also had the experience of making a compelling connection with indigenous people in Alaska through the ancient language of drumming and I’ve wanted to create more and deeper connections with Native Americans. I’ve gradually become aware of similarities in how indigenous Africans and indigenous Americans relate to the natural world and the way that arts cultivate and express this relationship. Both peoples have suffered due to colonization. But I am encouraged to see that “traditional ecological knowledge” is now being recognized as valid by the American government and academic entities. I am eager to learn how this shift has come about and to share our mutual experiences in that regard.”

Steve Chavis of The Morning Set caught up with Okaidja on his latest album and upcoming performance here in Denver.


Says Okaidja, “As a person of both Black and Indigenous identity, I am in a unique position to make a positive contribution to this period of racial reckoning through using the power of the arts to help people unite and heal.”